Art Cartoons Body Image Art Drawings of Human Body
Drawing Anatomy for Beginners, Learning the Ins and Outs
When information technology comes to learning how to draw people successfully, knowing human being anatomy is fundamental. Jeff Mellem, artist and author of How to Describe People , shares the tiptop dos and don'ts of cartoon anatomy for beginner artists so you lot can start cartoon more realistic figures in no time.
Figure Drawings excerpted from "How to Draw People" by Jeff Mellem
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1. DON'T think like an anatomy book
Drawing beefcake for beginners can feel overwhelming at offset because in that location are so many muscles on the trunk. When you're looking at a model and you lot see a lot on bumps, y'all might exist tempted to pull out an anatomy book to decipher what's going on under the peel.
An beefcake book is dandy at telling you lot what yous're looking at but it's not very helpful at telling you lot the three-dimensional shape of the muscles.
DO call back in simple volumes
When you first approach figure drawing, yous need to get-go out with establishing the bones volumes of the figure using spheres, boxes, and cylinders. By simply beginning with these basic shapes then building upwardly the complexity as you go along, you volition be able to brand your drawing maintain its sense of dimension.
If you re-create contours before you lot build in the structure, I guarantee you'll finish up with a apartment-looking drawing.
The cartoon on the left overemphasizes the model's muscles and it looks more than like an anatomy book than a effigy. An artist needs to think nigh the 3D shape of the muscles to requite the figure an illusion of book.
The Takeaway:
Use an anatomy book to sympathize what's below the surface but recall about each muscle in 3D. Don't draw the muscles equally a series of lines. Draw them as sculpted spheres, boxes and cylinders.
With that being said, you don't always accept to actually depict spheres and boxes on the page. If you lot look at an artist like Harry Carmean, yous can see that while he sometimes is merely drawing counters of the body, he is conspicuously thinking virtually the 3D qualities of what he's drawing.
2. DON'T make muscles the focus
When artists first start paying closer attention to adding anatomy to their drawings, they ofttimes accept a trend to overemphasize the beefcake. The figures oft end up looking similar they have no skin. The muscles are there to add more realism to the figure, but they shouldn't be the focal point of the drawing.
DO use muscles to reinforce the action
The focus of a drawing should convey an activity, an emotion or the subject's personality. You don't want a viewer to stop and look at the parts of your drawing; you lot want the viewer to come across the whole figure and be interested in what that effigy is doing and who he or she is.
In order to maintain focus on the action it'due south always a great do to commencement all your drawings with a gesture cartoon. A gesture cartoon serves as a design for the action. Everything that comes after is to help clarify and raise that action.
The muscles should be fatigued to amplify the movement of the figure and shouldn't describe attention to themselves. A good instance of this is comic book characters that have exaggerated anatomy to convey their strength.
A successful comic book page isn't about the character's muscles only about how that character's power is being expressed in the story. The volumes of the muscles are designed to lead the eye through the body toward a point of activeness. The reader isn't stopping to wait at the character's well-adult musculature.
Notice how the muscles in the figure on the right reflect the gesture drawing on the left. The muscles are used to reinforce the figure'southward activeness, they aren't the focus of the cartoon.
The Takeaway:
Anatomy is there to add realism but information technology's less important then carrying the action and mental attitude of the whole figure.
3. DON'T draw every figure with the same shapes
When artists offset using basic shapes to develop figures they often kickoff to fall into a blueprint of using the aforementioned shapes to build every figure.
Do detect and suit to your figure'due south unique build
When yous're building your effigy you lot take to look and adjust your shapes to the specific field of study you're drawing. You're not going to utilize the aforementioned shapes for a bodybuilder that you lot would a sumo wrestler or a long distance runner.
Y'all have to look at your subject and figure out what unproblematic shapes are the all-time tools to develop your effigy. For case, some people take very squarish heads which needs to be constructed from box shapes while others have a more roundish appearance that should exist built from spheres.
These two figures are in the aforementioned pose merely are built from unlike shapes. The effigy on the right is built from more than block shapes and information technology gives the figure a sturdier feeling.
The Takeaway:
Don't approach every figure with a formula. Instead, observe and adjust your shapes to fit your field of study.
4. DON'T copy what yous see
If you lot only copy what y'all see you will never create what you imagine. I never saw the point of replicating a photo in a drawing beyond being an exercise to build observational skills. Why duplicate what already exists when you tin translate and adapt as you lot see fit?
Exercise recreate what you lot meet on the page
Observational skills are important but not simply for copying what yous encounter. Use your observational skills to analyze your subject's unique shapes and so you can reinterpret it on the page. That means you aren't copying counters of the body. Instead you're recreating a figure on the folio from the footing up.
You lot offset by capturing its movement in a gesture, rebuild the figure iii-dimensionally using basic spheres, boxes and cylinders, and then sculpt those elementary shapes into anatomical forms. This is a very unlike process than just replicating what yous see.
Y'all're combining what yous meet with your 3D knowledge of anatomy to recreate the figure on the page. This will not only help you to develop cartoon that have a sense of mass but also volition allow you lot to adapt and modify the figure to create something new.
This is just a fun drawing to help illustrate that you need to sympathise the 3D shapes of a figure so you tin can reassemble them on the page. This is a dissimilar fashion of thinking than just copying the contours you see.
The Takeaway:
The task of an artist isn't to replicate what he or she sees. It is to interpret what he or she understands. When drawing a effigy, you bring in your knowledge of beefcake and volume to draw a figure rather than just copying contours and values.
5. Practice pay attention to proportions and anatomy
To draw a realistic figure, you need to pay attending to accurately capture the figure's proportions and anatomy. This comes from both studying anatomy and having good observational skills.
DON'T exist overly rigid.
Anatomy and proportion are of import. Only alone, they don't make for an interesting drawing. A figure cartoon that feels like information technology has personality or appears dynamic is going to exist more interesting than ane that is technically correct.
Permit the anatomy and proportion take a supporting role to the underlying gesture cartoon. Every step of your cartoon should be to create a unified figure that has energy and mental attitude even if that ways altering the figure's proportions or beefcake to amend emphasize that activity.
This effigy has exaggerated proportions – similar to those used in mode drawing. It doesn't matter that information technology'south non correctly proportioned if the decision to exaggerate is purposeful. You can find many examples of artists who distort and exaggerate proportions for stylistic reasons.
The Takeaway:
Drawing great anatomy helps artists create realistic-looking figures that appear to accept bodily mass and volume. However, the anatomy needs to add together to the sense of move of the figure and non distract from information technology. Y'all must take the skill to be able to describe the muscles in 3D in gild to alter and suit the shapes and emphasize the movement and personality of your subjects.
More than Resource on Drawing Beefcake and Figures
- iii Mistakes You Make When Drawing the Figures
- Effigy Drawing Methods of the Masters
- Drawing Dynamic Human Figures
- Train Your Middle With Effigy Sketching
- 5 Effigy Drawing Tips
Source: https://www.artistsnetwork.com/art-techniques/beginner-artist/drawing-anatomy-for-beginners/
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